Icon from a picrew by grgikau. Call me Tir or Julian. 37. He/They. Queer. Twitter: @tirlaeyn. ao3: tirlaeyn. 18+ Only. Star Trek. Sandman. IwtV. OMFD. Definitionless in this Strict Atmosphere.
Reidar Särestöniemi was a Finnish painter from Finnish Lapland; he is considered one of the greatest Finland-Lappish artists in the entire history of Finland. Born: May 14, 1925, Kittilä, Finland Died: May 27, 1981, Kittilä, Finland
Dina Brodsky’s miniature paintings combine her two passions: cycling and miniature painting. Her landscape paintings depict the view of cycling sceneries of beautiful nature scenes showcasing different types of season and time of day. You can find her stunning pieces on her Etsy shop.
Fun fact: There’s software which can tell a real Pollock painting from an elaborate forgery. How the hell is that possible? Because Pollock’s work contains fractals: infinitely complex, never-ending mathematical patterns that are specific to his work. While everyone thought he was merely dripping paint everywhere randomly like a drunken contractor you hired on Craigslist, he was in fact creating entire worlds.
So how do we know the fractals aren’t there by accident? Well, the later the Pollock painting, the richer and more complex the patterns, and thus the greater its fractal dimension. And there are even more mysteries hiding in his work. It appears that Pollock took advantage of an area of fluid dynamics scientists have only recently thought to study. This phenomenon is called “coiling,” and you’ve experienced it while dripping honey, except no one gave you millions of dollars afterward. It’s when thick fluid falls onto itself in the form of coils, similarly to rope, and creates patterns that can be described by a mathematical equation.
Anyway, in order to control the coiling, Pollock used a rod to drip the paint onto the canvas instead of pouring it straight from the can or using a brush. By mixing paints of various densities and moving his arm at different speeds, he was able to control the patterns that would show up in the final painting. Dude was doing high math and making it look like a stoner playing with finger paint.
It’s unusual, dear reader, for anything painted as recently as 1943 to come into the public domain.
The copyright to this, however—Dame Laura Knight’s Ruby Loftus Screwing a Breech-Ring—belonged to the government of the United Kingdom, since it was made as a War Artists Advisory Committee commission, and so had a much shorter span.
As to the content of the painting, according to the Imperial War Museums, “[m]aking a Bofors Breech ring was considered the most highly skilled job in the factory, normally requiring eight or nine years training. Loftus was aged 21 at the time of the painting and had no previous factory experience.”
