Icon from a picrew by grgikau. Call me Tir or Julian. 37. He/They. Queer. Twitter: @tirlaeyn. ao3: tirlaeyn. 18+ Only. Star Trek. Sandman. IwtV. OMFD. Definitionless in this Strict Atmosphere.
Probably the first character you've been asked about but: Garak
(I don't think you'd get a bingo though because of the way the board is arranged)
Also if you are doing ofmd, Ed!
No one has sent me Garak yet! Hey look, bingo!
And yes I am doing OFMD, so here is Ed. Accidental Parental Figure bc A) in canon he is the crew’s other dad and B) he is step dad to Stede’s kids in so many fics. Also, yes, I wrote ADHD over the Autism™ square.
Ok, so at this point I’ve seen a great many things written on Who Ed is with a capital W, and even I’ve thrown bits and pieces of my hat in the ring. But there is one particular thing I have a burning desire to express, and that is, respectfully, Edward’s softness is his own damnit.
There’s a pretty popular notion gaining traction in the fandom that Ed’s softness is just as much a performance as Blackbeard. That him embracing it fully in those brief moments of episode 10 before “the kraken” was unhealthy actually, and he wasn’t being true to himself. In summary: Ed requires Blackbeard to be whole. And my question is: why do people find Ed an unreliable narrator in his softness, or more specifically, why do people think he lacks autonomy of it?
It bothers me when people say that Ed is trying to be like Stede to gain approval in these moments, because the only major similarity I see is aesthetic. Guys a huge theme of the show is older queer men finally finding ways to escape varying forms of toxic masculinity, and understanding that their queerness does not exclude them from manhood. Homogenizing two effeminate gay men and implying that one is “losing himself” to the idiosyncrasies of the other goes directly against this goal. In fact it actually perpetuates negative gay stereotypes, but I’ve made a video essay where I discuss that at length.
Edward writes and performs a song on deck when he wants to process and share his feelings openly. Not only is this waaay more emotional honesty than we ever see Stede express (on purpose at least), but this is a creative outlet unique to Ed. Theatrical story telling is an established motif in Ed’s character the same way literary storytelling is for Stede’s. Edward’s not only dealing with his hurt in a way Stede definitely wouldn’t (he didn’t, Stede went out of his way pretend everything was fine in episode 8), he’s also doing so through an established passion of his.
The Swede wasn’t full of shit when he said that performance can simply be an expression of you. This is not Ed trying to put on a new mask when the old one proved ineffective. This is him finding comfort and even joy in finally using performance to reveal himself instead of hide. I don’t understand why the credit for this beautiful moment of self discovery must be ripped from Ed and used to accuse Stede.
It’s the same with the “SiLk GoWn”. This is the same person who lovingly touches every piece of nice fabric he lays eyes on, and lit up like a fucking Christmas tree the second someone said the word “fashion.” Ed has had a deep love and longing for such a soft pretty thing since day 1. These were ingrained and suppressed in Ed all long before Stede came on the scene. That robe may literally belong to Stede, but just as he wore it as a sign of his newfound boldness under the safety of someone loving him for who he is, Ed’s choice to wear it symbolizes the blossoming autonomy his own identity. To continue enjoying the things Stede made him feel safe enjoying even without his presence.
Now let’s move on (or backwards I guess?) to the academy. Something I’ve seen a lot is people decrying that Ed is sacrificing his authenticity to play a housewife for Stede. Guys… he just folded some socks, calm tf down. Saying something like this about a gay man just trying to do something small and sweet for someone he loves, again, really seems to perpetuate the toxic masculinity this show hauls ass to deconstruct. Yes the answer to toxic masculinity isn’t just “effeminacy is perfect and good”. But Ed can be genuinely content with finally being able to partake in the domesticity he never got to experience without perpetuating that.
And you know what, he can be unsure of the best way to fulfill that desire and change his mind. I don’t quite like the disregard for Ed’s autonomy when people say his decision to stay at the academy or find an escape is driven only by whatever he thinks Stede wants. He is taking Stede’s feelings into consideration because that is perfectly healthy when you love someone and want a life with them, but his choices are still absolutely driven by his own needs moment by moment too.
I think people really take Ed understandably not wanting to be subjugated by the British and run with it. Like yes he is visibly uncomfortable with the soldiers treating him like an exotic animal they’ve tamed because no shit. But I don’t know how many times Ed has to blatantly state he does not want to be a pirate anymore for it to be believed.
Edward is not an exception to this. Even if he managed to thrive emotionally in this line of work once upon a time and there are aspects of it he enjoys, Ed still became a pirate out of desperation. He didn’t choose it any more than Oluwande and Jim did, he was fleeing poverty and abuse.
It’s not that piracy is a net bad and that Ed should want to distance himself from it. It’s that he assumed piracy is the only option he’s ever had in life even when it hurts him, and the realization that he has the freedom to choose differently is empowering and a net good. Him wanting to run to China with Stede, or take the crew’s funky acts on the road, whether they’re practical or not (especially in this show) is beside the point. The point is Ed’s absolute unbridled joy in their possibilities, the pure delight in discovering that you are not chained to a series of decisions you made under extreme duress 30 years ago.
No, Ed is not doing a complete 180 of his personality during his NoBeard era. He’s been forced to sacrifice his personhood for decades, and is now finally wrestling it out the grasp of thousands of people… at the age of 50 and during two of his darkest moments no less. How absolutely amazing.
