jamaicanblackcastoroil:

too–tired–to–function:

weavemama:

weavemama:

VULTURE IS GOING THERE

“Having a daughter shouldn’t be a requirement for internalizing the problems of working within a sexist industry. Your wives gave birth to a baby girl, not a moral compass. (For what it’s worth, George Clooney, a new dad, managed to talk to the Daily Beast for a whole interview without mentioning his infant twins, one of whom is a girl.) Peppering statements about how shocked and appalled you are with a mention of your daughter just makes you look clueless. Because here’s the thing: Only a sociopath needs a daughter — or a sister, a girlfriend, a wife, or even just a lady standing in front of him at Starbucks — to make him queasy enough at the thought of a sexual predator in his industry to do something about it. You don’t need a daughter to feel guilty about working with a man who preys on young women, or about not acting to stop him. You just need a conscience.”

👏🏾👏🏾👏🏾

was just thinking this

First baked goods of the season. Just some simple chocolate chunk cookies.

@fannibalgrowingcircle Not quite up to Hannibal’s standards, but quite delicious anyway.

bead-bead:

sandookchi:

Zohra Sehgal, a South Asian actress par excellence, actually spoke multiple languages including Urdu, Hindi, English and German. She is one of the earliest international actresses who came from an aristocratic Muslim family in India. When her father insisted that she get married, she outright said, ‘I don’t want to get married,’  and announced that she might become a pilot. In 1917 she went to a boarding school in Lahore, after which, in 1930, she donned a burqa and set off for Europe by road — crossing Iran, Syria, Palestine and Egypt. She trained as a ballet dancer in Germany. Zohra was quite blunt when it came to expressing her opinions. She was an agnostic and defied all the stereotypes about a “Muslim girl from a traditional family”. She was unbelievably bold and confident and was known for her mischievous humor. She earned immense respect in British TV at a time when people were not accepting of ‘diversity’ and even the Asian roles were played by white people. When she had first arrived in Britain, “it was such that if we were sitting in the bus, the British did not sit next to us. Unconsciously in the minds of white people, there was a hesitation”. She defied cultural norms once more when she married her Hindu student eight years younger than her. She never felt welcomed in Lahore, so she left half her family in Pakistan after 1947 Partition and settled in Delhi where she taught a theater group. She raised her children on her own when her husband committed suicide at a young age. She was literally unstoppable and appeared consistently in British TV series like The Jewel in Crown, Mind Your Language and Doctor Who. She has acted in myriad Bollywood films and performed across Japan, Egypt, Europe and the US. She was a classical dancer, choreographer, cinema, theater and television actress whose career spanned over 8 decades. She was awarded Padma Shri and Padma Vibhushan, some of the highest civilian honors in India. She was a fighter all her life, she even defeated cancer. On her 100th birthday she said, “I want an electric cremation. I don’t want any poems and fuss after that. And for heaven’s sake don’t bring back the ashes. Flush them down the toilet if the crematorium refuses to keep them. If they tell you that I am dead, I want you to give a big laugh". Zohra aapa lived the life of a grand diva and passed away in 2014 at the age of 102.

“Oh, my burqa was of lovely silk and I was so glad I made petticoats out of it!”

Zohra with her husband Kameshwar Sehgal in 1945.

“What actually makes brings out your beauty is the radiance of being content and you can only be content when you are employed in something you love.”

“You see me now when I am old and ugly, in fact you should have seen me earlier — when I was young and ugly!”

Zohra at her 100th birthday was quietly humming “Abhi To Main Jawan Hoon” (I am still young) by poet Hafeez Jullundhri, as she attacked the huge cake.

“Life’s been tough but I’ve been tougher. I beat life at its own game”

What an amazing face! And an even more amazing woman!

pdlcomics:

About the Money

marrymejasonsegel:

I wrote a college paper once about gender dynamics in Disney films, and part dealt with the emphasis of androgyny in this film. Mulan is an outsider and unsure of her position of the world when she is adhering to both a total feminine role (the matchmaking scene) and a total masculine role (disguised as a male soldier) and it’s only when she’s able to embrace both sides that she is able to fully showcase her abilities and ultimately save the day. 

The entire climax, from climbing the poles using sashes, counting on Shan Yu’s complete dismissal of women to get the Emperor to safety, to this scene where she literally uses a symbol of womanhood (within the movie at least) to disarm the villain of his symbol of masculinity and beat him at his own game, shows Mulan relying on the aspects of her femininity that she has grown up adhering to and adapting the tactical knowledge and fighting skills that she learned disguised as a male soldier to those aspects. The result is a unique and innovative view of the world and her course of action that leads her to save the day when the male soldiers failed and the women wouldn’t even have been allowed to try. 

zig-zag-wanderer:

huariqueje:

Late Autumn on Aland    -   Victor Westerholm

Finnish 1860-1919

Oil on canvas, 35x35 cm.

This IS Vakkrehejm!!!!!!